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| Index:Birds
Striking Windows Woodpecker Problems? Weathering the outdoors in comfort |
Conservationists
as Naturalists Photography for the Naturalist |
Woodpecker
Problems? Common Woodpecker Species of the Willamette Valley -Don Boucher back to index |
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| Weathering the
outdoors in comfort by Lisa Millbank Knowing how to make yourself as comfortable as possible in any kind of weather is one of the most empowering skills a naturalist can acquire. You'll no longer suffer through bad weather, or feel trapped inside. You won't be stuck peering out from a car with fogged and rain-covered windows. You'll be able to spend an entire day (or days, if you're camping) outside and be spared most of the stress and discomfort that comes from being too cold, too wet, or too hot. If you can equip yourself for any weather, you'll have trails and open spaces to yourself, and you can go out any day you want, without disappointment when the weather is less than perfect. There's an old saying that I like: "There's no such thing as bad weather, just bad clothing." I don't think that dressing appropriately is intuitive. It's clear that most people think that it's always miserable being outside in cold, rainy, or hot weather. They either just decide to endure it, despite their own discomfort distracting them so much that they can't enjoy themselves or focus on their surroundings, or they just stay in their house or car. I'm one of those chilly people who is always wearing a sweater at work when everyone else is comfortable in short sleeves. I used to be discouraged by how quickly I'd feel cold or miserable when I decided to go out in stormy weather. I was dismayed at how quickly my shoes and pants became cold, heavy burdens as I pushed through wet brush in search of mushrooms. I couldn't have imagined enjoying myself while camping in sleet and snow or spending the day outside in triple-digit heat. But although I've actually done these things, I haven't acquired any superhuman toughness. I just decided to focus on my comfort, and through trial and error, I've learned how to dress appropriately for almost every situation. Comfort, in this case, doesn't mean pampering oneself or having a delicate temperament. It's smart preparedness that ensures that your attention is where you want it, not preoccupied with cold feet, wet clothes, or other preventable distractions. Warm-weather ancestry Cold, windy and wet weather clothing Insulating layers should consist of quick-drying synthetic long underwear and multiple layers of insulation with high loft. The layers need to be loose enough that they can trap warm air. Lightweight fleece clothing is particularly good. Sweaters and fleece perform poorly in windy conditions unless you wear them under a windproof jacket. Socks tend to get sweaty no matter what, but cotton socks are the worst. For a cold-weather camping trip, bring lots of extra dry socks made from synthetic fibers to change as needed. Use an "earband" or ear-covering cap made for cyclists to wear under a bicycle helmet, or another kind of ear protection that can be worn under your hat. Earmuffs are typically too bulky. A scarf or neck gaiter blocks the draft around your neck. In severe cold, a full hood that can go under your hat is helpful. Wearing a hooded fleece jacket, and the hood of your rain coat as well, combined with a waterproof hat you can adjust to fit over both hoods will keep the rain from soaking the back of your head and your other layers of clothing. A ski mask or balaclava can help keep your face warm, but tends to accumulate moisture and can restrict breathing if worn over the nose and mouth.
Backpack tips for wet weather
Hot weather
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Conservationists
as Naturalists I’m afraid that many bright and curious conservationists avoid the study of nature due to misconceptions that it might be difficult. Knowing about nature is not strictly the realm elite biologists or wildlife officials, it’s for everyone. Studying nature is easy! You can tap into hidden talents which can make it easier for you. In the hunter-gatherer days, people learned about nature simply by living, eating, hunting and avoiding danger. Humans have had intricate knowledge about birds, plants, animals and weather patterns much longer than we have known things like written language or farming. You have an instinctual legacy which drives you to want to understand the natural features around you. Following that legacy is as natural as falling in love or pinching the cheek of a cute baby. Those caveman instincts of yours may be applied to the digital age. There’s an aspect to learning about nature that’s unlike many academic subjects. While there’s a bookish side to biology where you can memorize parts of the cell, learn plant taxonomy or drill yourself with pages of animal tracks, there’s an equally important tactile knowledge of observing nature in the field. There are many things that field guides or classrooms can’t teach you that are learned by experience. This kind of experience is the most fun and memorable. Whether you’re trying to get a glimpse of a warbler in the treetops or tracking down the perfect habitat to see your favorite lily in bloom, it’s easy to imagine yourself as a hunter-gatherer during the Stone Age. It’s the thrill of the hunt! It’s possible for anybody to make a habit out of studying nature
and build it into an everyday routine. Look at it more like recreation
than a chore. Follow your own path as a naturalist. Learn what interests
you and do it at your own pace. Blend your interest in nature with other
interests. Readers of our newsletter have learned that there are many
wonderful natural subjects that are close by, even in their own yards.
There are tools, methods and techniques to bring your experiences home
and apply them in an academic way. Strangely, conservation issues are sometimes an obstacle to the naturalist who wishes to better understand nature. Before I continue, I want to acknowledge that a conservation issue may be a rallying call for the community that catalyzes people to learn more about their natural environment. In the Willamette Valley we have popular threatened and endangered species which are local symbols of conservation. Many conservationists know about the Fender’s Blue butterfly and its host plant Kincaid’s Lupine. They’re featured in newspaper articles and the Corvallis Environmental Center features theses species in its logo. Several times a year, school children and volunteers participate in work parties planting Kincaid’s Lupine and other threatened or endangered species. This is great, citizens really care around here. While the Fender’s Blue and Kincaid’s Lupine are popular names and images, few people have ever seen them on their own in the field. That’s understandable, they’re rare. Surprisingly, even fewer are aware that common similar species even exist. When I’ve shown photos or video of common species of blue butterflies or common species of lupine that occur in our area, many people immediately assume they are the popular rare species. These conservation symbols are abstractions to these people, they know them through the local media alone. Furthermore, these abstractions are their only mental representations of the myriad of other kinds of native butterflies and plants that occur locally. Even worse, I have found incorrectly labeled photos of Kincaid’s Lupine and Fender’s Blue on Web sites. It’s possible to confuse the study of nature with the science of conservation management or the passion of conservation activism. Most people encounter subjects in nature with reference to one conservation action or another. Every conservationist should be a naturalist. It’s not necessary to be an expert in any particular area but there should be at least a rudimentary understanding of the natural character of one’s own bioregion. Conservation doesn’t define the laws of nature. It is important to understand the character your natural surroundings independent of endangered species or other conservation dilemmas. For example, a naturalist must have a good handle on common plants before recognizing a rare plant and understanding its relevance. A well-rounded nature-study program can lead you to a balanced perspective on nature conservation. Furthermore, learning about nature makes local critters, plants and habitats personal knowledge and leads to a special sense of place and passion. If you know and love your local flora and fauna, you can relate to conservation issues on a national or global scale much better. This surpasses the feelings of guilt that motivates many people to support otherwise abstract conservation issues. Give yourself the time and mental peace to study nature, as it is, without the judgmental distractions of the “who’s who” of good species and bad species. It may be hard to occasionally tear your mind away from conservation but you’ll benefit greatly from having first-hand, raw experience with nature. It’s good to be a thinking, rational naturalist who knows in your heart and mind why conservation is important. Otherwise, conservation may only be a fashionable cause of the self righteous. Understand that I’m not making a case against popular themes in conservation. I want to expand and improve the culture of conservation. We need to do everything in our power to preserve the integrity of our natural treasures. Sometimes I’m confronted by conservationists because I spend so much time promoting the study of common plants and animals. I think they feel the Neighborhood Naturalist program is wasting time and not paying attention to more pressing issues. I respectfully disagree. Our culture in general severely lacks a connection with nature. I’m advocating a kind of natural literacy where conservationists are better informed. One cannot appreciate Shakespeare if one cannot read well. A well-rounded naturalist can read nature like a book. Don’t rely on the experts to tell you what’s valuable in nature. Read nature for yourself and do your own “book report” about it. The good news is that every species is intrinsically interesting on its own. Naturalists have many favorite species which are not necessarily relevant to conservation. Some things in nature are just cool! If we lived in a world without any conservation issues (as hard as that is to imagine), I’d still be studying nature. Nature is an inexhaustible pastime. -Don Boucher back to index |
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| Photography
for the Naturalist Nature photography has many clichés... a spider web with dew on it... at timed exposure of a waterfall... or a glamorous sunset. Nevertheless, there’s satisfaction in a beautiful photograph that you took yourself. There are other reasons to take your camera with you into the field. As a naturalist, photography can be a tool for you to study nature in depth. Simply put, photography can make you a better naturalist. Digital photography has made a photographer out of anyone with a computer. I think this is a good thing. The same general process I’m about to illustrate applies to film photography. First of all, if you have a camera, just start using it on natural subjects. If you need to buy a camera for nature photography, I recommend a camera that can focus on small, close-up things. Look for a camera that has a lens suitable for macro photography. As for digital cameras, the common technology has surpassed the needs of the nonprofessional photographer. Don’t waste money on fancy megapixels. For beginners, keep it simple and cheap. Most all new cameras available, even cheap ones, are suitable for producing quality prints on a desktop printer. After a year or so, or when you feel confident with photography, you may intelligently spend more money on a camera that suits your photographic style. If you already have a camera, whether or not it has a macro lens, just start using it and buy a camera later only when the camera you have isn’t doing what you need. Bring your camera with you! In bad weather, keep it in a plastic bag or some other protective gear. Photography is like ocular journaling and, like journaling, it has the benefit recording your personal experience for future review. I would recommend that you organize your photos on a regular basis. Soon after returning from the field, load the photos onto your computer with a dated folder. Soon thereafter, you can name individual photos. If you’re using film, after you get the photos back from developing, sort and file your photos and write dates and descriptions on the back of each photo. Do what works best for you but develop a process that’s simple and easy to immediately catalog your photos so that you may find them easily months or years later. Be trigger happy, shoot photos of anything interesting. This process is a learning tool, even badly composed photos are valuable for identification purposes. If you combine photography with a written journal, the results are delightful. Staple photos to your journal pages or write on the backs of photos. If you do your journaling or blogging on the Web, it’s easy to integrate your digital photos. Review all your photos large on your computer screen. It’s like taking your experience in the field and giving it a second pass through your brain and you will learn more in the process. Take the next step and look up the subjects of your photos with field guides or other resources. It can be a challenge to take a bunch of field guides with you. The nice thing about photography is that you may capture your observations and bring them to the field guides. If you don’t have many field guides at home, perhaps you can bring your photos to your local library. Be thorough when taking pictures for identification purposes. If you’re taking a picture of a plant, kneel down and get close for detailed photos of the flowers, leaves, stems, fruits or seeds. Take a picture of the whole plant too. You may need to gently push grass and other plants aside. Take a picture of the plant’s habitat. The same general attention to detail applies to other sedentary subjects like mushrooms, birds nests, animal tracks and bones as well as some spiders and insects. Birds and other fleeting animals can be more of a challenge. This is more like hunting where patience and perseverance pays off. Mammals can be the most difficult due to their wariness and nocturnal habits. Getting close is the key, even with a 12x zoom. Getting close to birds requires good birding habits like acting calm and waiting for the bird to show up in spot where you can see it. With mammals you have to be aware of the wind as they may flee if they can smell you. Some mammals and birds make easy subjects. Bunnies and birds in park lawns are accustom to picnickers and are easy to photograph. Reptiles, amphibians and some insects are fleeting when you first encounter them but may relax if you wait still for a few minutes. Then you can slowly and carefully move closer for a good shot. If you really want to get into zoom photography you need at least a 20x optical zoom lens. The word "optical" is important. Some digital cameras advertise 50x or more digital but will give you a poor photo with heavy pixels. A quick fix is to buy a 2x teleconverter, which is essentially a magnifying glass that screws on the lens. It multiplies your camera’s zoom. If you have a 10x optical zoom on your camera, then the 2x teleconverter will make your camera 20x. Teleconverters come in other values like 1.5x, 1.7 x and occasionally 3x. Even though there are many converters on the market, any given camera may only have one or two compatible models available. There’s a cascade of expenses of camera equipment involved in zoom photography. Unfortunately, not all cameras have lenses that can take a teleconverter and you may need to buy a more expensive camera to get a better zoom. SLR cameras have modular lenses so that the same camera body can quickly change lenses. That’s really handy but the prices are typically the realm of professionals. At 20x or more zoom, you need to hold the camera steady and that means the expense of a tripod and the hassle of carrying one around. I don’t want to scare you away from zoom photography but just be aware of the challenges. The results can be spectacular and the the thrill of the “hunt” can be addictive. That being said, your camera may already be good enough to help you identify a subject. Advanced zoom photography isn’t necessarily the direction every photographer needs to go. High megapixel photography (say 8 megapixel or more) and digital video are great but they take more expensive computer systems to handle the results. With digital video, the hard drive space necessary is ridiculous. I use a digital video camera and love it, but I’ve spent more money and time on it than many people would be willing to do. I often admonish naturalists to advance their skills of observation while in the field. Photography can extend your “photographic” memory and is a valuable learning tool to help you explore and understand the natural features that surround you. You have an opportunity to bond with the nature and photography may be a bridge that carries you there. -Don Boucher |
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| Birds Striking
Windows Besides pet cats, cars and pollution, windows
are a primary way in which birds get injured or killed as a result of
human presence. In the spring the problem can be quite common. A male
bird will try to chase its own reflection from its breeding territory,
mistaking it for an invading male. The rest of the year, birds might simply
mistake the reflection as a place to fly to — ouch! This can kill
a bird but even if a bird is only briefly stunned by the impact, it can
be vulnerable from attack from a pet or native predator.
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